Tag: New Orleans

  • Authorities Say Missing New Orleans Child Likely Died in Alligator Attack


    Bryan Vasquez. Image provided by the New Orleans Police Department.

    A 12-year-old boy with autism who had been missing for nearly two weeks is believed to have died from an alligator attack, according to police. His body was discovered this week in a canal in New Orleans.


    On August 17, 2025, neighbors and friends of the Vasquez family joined the search for 12-year-old Bryan Vasquez in the Village De L’Est neighborhood of New Orleans.
    Photo credit: John McCusker / AP

    Bryan Vasquez was reported missing on the morning of August 14, after reportedly climbing out of a bedroom window in the eastern part of the city, the New Orleans Police Department said. Vasquez, who was nonverbal, was last seen on doorbell camera footage around 5:20 a.m., walking alone down the street wearing only a diaper.

    His body was found Tuesday with the help of a drone. In a statement to CBS News, a spokesperson for the police department confirmed that the Orleans Parish Coroner determined the cause of death to be drowning, with injuries consistent with an alligator attack.

    As a result, the case has shifted from a missing child investigation to an unclassified death investigation, now being handled by the homicide division, according to a police department spokesperson.

    “Detectives are thoroughly investigating every lead and examining all aspects of the circumstances surrounding Bryan’s death,” the spokesperson said. “At this time, no suspects have been identified or charged. The investigation is ongoing, and further updates will be provided as new information becomes available.”

    Bryan’s mother, Hilda Vasquez, told The New Orleans Advocate/The Times-Picayune that her son had a habit of sneaking off to a nearby playground, though the family had recently moved to a new home.

    His disappearance sparked an extensive search effort involving multiple agencies, volunteers, airboats, and bloodhounds.

    As local and state teams scoured the area, the New Orleans Police Department faced criticism over its delayed response. As reported by CBS Police Chief Anne Kirkpatrick acknowledged there was nearly a five-hour delay between the time Bryan was reported missing and when officers arrived on the scene. His body was ultimately found about 200 yards from the original search area. Kirkpatrick noted that in drowning cases, it’s not uncommon for a body to resurface some time after death.

    In a separate news release, city officials described Bryan as “a bright, charismatic, and energetic young boy whose joy and spirit touched the lives of his family, friends and community.”      

    Kirkpatrick said she has asked the Louisiana Department of Wildlife and Fisheries to remove “nuisance” alligators from the area where Bryan was found.

    According to the wildlife agency, hunters capture and remove more than 1,000 nuisance alligators every year in an effort to minimize encounters between the alligators and humans. Louisiana is home to the largest alligator population in the country.

    As of the most recent data, Black residents make up approximately 55.2% of New Orleans’ population. According to the U.S. Census Bureau and demographic sources like World Population Review.

    BY: BEWITTY Staff

  • Katrina: Come Hell and High Water Gives the Mic Back to Black New Orleans

    Imaged by Netflix.com

    Twenty years, that’s how long it’s been since the levees broke, since the floodwaters rose and swallowed neighborhoods whole, and since America watched a predominantly Black city suffer while help came far too late.

    But for Black folks in New Orleans and across this country, Hurricane Katrina was never just a natural disaster. It was a mirror. A moment of reckoning. And now, Netflix’s new docuseries “Katrina: Come Hell and High Water” holds that mirror up once again reflecting not only the waterlines left on buildings, but the deep cracks in America’s promise of equality, safety, and care.

    Directed by Geeta Gandbhir, Samantha Knowles, and the incomparable Spike Lee, this three-part documentary doesn’t simply revisit the tragedy, it re-centers the people who lived it, who survived it, and who still carry the weight of it.

    The water came fast, but the abandonment came faster. We remember the images of Black elders stranded on rooftops, children wading through water up to their chests, bodies left in the street.

    This documentary masterfully captures what we didn’t see, the stories behind said images. The everyday lives disrupted. The legacies & heirlooms lost. The trauma etched into generations.

    We hear from survivors who speak not just of the storm itself, but of the silence afterward, the government’s delayed inaction & FEMA’s disastrous failures. While the media criminalized Black grief. As one voice in the film puts it, “We weren’t refugees. We were citizens, and they left us.” That truth lands heavy.

    What sets Katrina: Come Hell and High Water apart is its insistence on Black voices telling Black stories.

    COREY SIPKIN/NY DAILY NEWS ARCHIVE VIA GETTY IMAGES

    The showrunner, Alisa Payne, brings together a creative team that understands how to balance reverence with reality. And with Spike Lee on board who first documented the catastrophe in “When the Levees Broke” the series carries the same unflinching honesty he’s known for. This isn’t just about showing pain. It’s about reclaiming the narrative.

    This time, the survivors are prioritized at the center not the politicians, not the experts. Whom proceed to speak freely about loss, with endurance. Highlighting how New Orleans didn’t just rebuild, it fought to preserve its culture, its soul, its Black ethnic roots.

    If Katrina taught us anything, it’s that disaster didn’t fall evenly. The flood may have been natural, but the devastation was manmade, built on centuries of neglect, redlining, poverty, and institutional racism.

    We’re walked through the failures of the levees designed and poorly maintained with deadly disregard. It looks back on how evacuation plans didn’t account for families without cars. How emergency shelters became sites of dehumanization. How rebuilding efforts favored wealthy developers over displaced residents. Seeing it wasn’t just about infrastructure.

    MICHAEL APPLETON/NY DAILY NEWS ARCHIVE VIA GETTY IMAGES

    “Katrina: Come Hell and High Water” also celebrates. It celebrates the music, the second lines, the families that returned, the youth who’ve grown up refusing to forget. It shows New Orleans not as a place defeated, but as a place defined by resilience.

    LINDA ROSIER/NY DAILY NEWS ARCHIVE VIA GETTY IMAGES
    Imaged by: Andre Perry

    There’s joy in this documentary. However it isn’t the kind that ignores pain, but the kind that rises despite it.

    “Katrina: Come Hell or High Water” is currently streaming on Netflix.

    BY: BEWITTY Staff